Meet the Artist - David Zydd

Annie Mason
5 min read

Meet the Artist. The place where I introduce YOU to an artist through a virtual interview. Our featured artist is David Zydd. *Note: The images in this post link to David's product shops.

David Zydd

Budapest, Hungary

Who are you, and what is your background?

Hi, my artist's name is David Zydd. I've never wanted to be an artist; the whole thing came by accident.

My story began at elementary school. Maybe my drawing skills were a little bit above average. But then we had to paint out our drawings, so my work became below average. In high school, I made a few pretty good drawings when I was sitting in brutally boring Literature or Mathematics classes. (When I hadn't fallen asleep.) I had Literature problems while reading many books and I've also tried writing. I also had problems with Mathematics, where I almost always wrote down the correct results, but I didn't know (and I was not interested in) how to calculate them.

Nonetheless, I got into college and graduated as an architect. That's why I hated drawing for the next 10-15 years. I've even boycotted my graduation ceremony: the school was very difficult, however, we didn't learn anything useful about our profession.

My story continues one decade later. I've worked for 10 years in the building industry. When my last employer didn't pay my salary for almost one year (This was very common in the building industry in Hungary at that time.),

I started to think about building another source of income. I wrote blogs, I tried Google Adsense, affiliate marketing, and numerous micro-revenue sites. I also tried 3D modeling. Then - accidentally - I've met with vector graphics. It was in the fall of 2013. I immediately started to create vector images, and a few months later, I started selling vector images on Shutterstock (right after my honeymoon). I had engineering and programming jobs at that time. I also joined the Mensa organization in Hungary and included it in my CV to get the positions.

I've experimented with many styles, some of which looked artsy. So, I finally joined Society6 at the end of 2014. Two months later, I finished my last job as an employee and became an entrepreneur. In the last months of my employment, I spent more time with my business than the company. I have no remorse because the company worked for financial institutions. :)

Meanwhile, I played beach volleyball at the semi-pro level. My best results in the Hungarian Championship were 2nd, 3rd, 4th, and 5th places. I played in the championship in 4 different decades. When I was very good, there were 1 or 2 much better players. When the competitors were a little weaker, I was also weaker. :)

What is your favorite medium?

I only use SVG (Scalable Vector Graphics) vector graphics. It's more like programming than drawing. I type in words and numbers, and then nice, colorful graphics appear on the screen. After a few attempts, I added a very unusual twist: I used a PHP programming language to write SVG files. This way, I can add much randomness to my artwork. Any other programming language would be suitable to accomplish this. It must be capable of writing text files. I chose PHP only because it was pretty simple to install in a comfortable environment. So, I write a little (sometimes simple, sometimes complicated) algorithm, then I run it several times. When I like the result, I keep the image.

Has your practice changed over time?

Currently, I use the 8th generation of the methods to create my vector images. The 1st was to write the SVG file directly. In the 8th generation, I wrote the software (it runs in the browser) for myself. I can easily connect existing algorithms; then, I change a few parameters, and the results are very different. Usually, there is minimal programming in the process. This program is primarily for stock graphics, but my newest artistic works were also created this way.

The program copies and moves the files, making the needed conversions (.EPS, AI, JPG) almost automatically. Then I click and type for a few minutes, and the software creates titles, descriptions, and 40-50 keywords for dozens of images.

I can create even 500+ brand new images with titles, descriptions, and keywords in one day. However, I make it very occasionally. I spend less than 5% of my work time creating, and more than 95% goes to uploading, marketing, and other boring tasks. Since the birth of my second daughter, I have very little time. The lockdown even halved this...

What do you most enjoy painting?

I love to do experiments with geometric shapes and colors. My artist logo represents this.

Sometimes, I dare to try "normal" artwork when I create images without randomness, but I do this only occasionally. For example, I created minimalist line art for my daughters last year.

What jobs have you done other than being an artist?

I was an architect, facility management expert, virtual constructor, and GDL (Geometric Description Language) programmer. The latest gave me the idea of the whole vector programming thing.

Then, I worked as an engineer and as a SQL database programmer. During college, I was a waiter, callboy, etc... for short times.

What food, drink, or song inspires you?

I've never thought about drinks or foods as inspirations. :)

My favorite drink in the colder half of the year is red wine; in the hotter half, it's beer. (Except Heineken-owned brands, for political reasons...) My favorite food is ribs and fatty meats.

My favorite music styles are power metal and folk metal. These are sometimes very inspiring music, but there is no way to connect this inspiration to my artworks. :)

What has been your favorite response to your work?

When my family members like my artwork, I hope I can differentiate between politeness and real enthusiasm. :)

Of course, everyone's mom will love her son's/daughter's work.

Professionally, what is your goal?

My income is around 80% from stock vector graphics and 20% from artwork. My goal is to reverse this proportion in favor of art. And I'd like to spend more time with creation and experimentation.

I can make hundreds of artworks in a few hours. But I have no idea which is the best of them. I'm very bad at choosing the good ones. So, I'm open to collaborations with anybody who would like to browse and sell my artwork with a 50%-50% revenue share.

I can provide hundreds of - even unique - images for this collaboration.

Thank you so much, David. My readers are grateful that you shared your vector graphics with all of us. Colorful, symmetrical, spiraling visions to dazzle the eye.

Readers, be sure to visit all of David Zydd's sites:

Behance: David Zydd https://www.behance.net/davidzydd

Society6: Mandala Magic by David Zydd https://society6.com/davidzydd

Zazzle: ZyddArt https://www.zazzle.com/zyddart

CreativeFabrica: davidzydd https://www.creativefabrica.com/designer/davidzydd/ref/

VideoHive: DavidZydd https://videohive.net/user/davidzydd/portfolio?ref=davidzydd

Contact: davidzydd@gmail.com

Visit all the MEET THE ARTIST posts.

Please, Pin it! Comment below this post.

Graphic Design Rules: 365 Essential Dos and Don'ts

by Sean Adams | Peter Dawson | John Foster | Tony Seddon Paperback, Illustrated

Commissions, Sales, and Gifts; oh my.

Annie Mason
6 min read

I am not an expert on commissions. Not by a long shot. However, I will attempt to lay out some thoughts and situations that will give artists some criteria I have settled on in the last few years. This might prevent buyer's remorse when asking an artist to paint a portrait of a loved one, dog, or cat. The buyer and the artist can have some agreement on what they each expect from each other: Deposit, how long it will take, expectations, framed (or not), work in progress, and any questions.

Looking back on my "career" as an art teacher, I don't see an artist. Why? Because I was busy with lesson plans, checking materials, working with a classroom teacher who might want the art lesson to piggyback with her animal life cycle curriculum, and balancing the school district's K-6 art curriculum schedule. The only times that I was called on to be an "artist" was when a classroom teacher "solicited" (as in, begged me) to do her bulletin board. {cough}

Now, I am an artist who paints almost every day. I have more than 300 paintings or drawings in my portfolio unless I have sold them or given them as gifts.

As I began to think about this post, I realized that I have sold or given more images than I remember. That's a pleasant feeling because I haven't had a bad experience with doing commission work. Not like the time I volunteered to take photographs for a neighbor's wedding. My photography was quite good. However, I didn't have any sort of agreement or contract, took no deposit, and didn't consider the stress level of taking photos of an event that you can't have a "do-over." This is a recipe for a disaster. A verbal walk-through with the bride/groom instead of the parents of the two would have been beneficial. Long story short, the reception hall had fluorescent lighting, which cast a green tone on everything. The parents were horrified at the photos and refused to pay me anything for them. Lesson learned: put things in writing.

Let me show you some of my commission works and give you a taste of how I feel about them.

My alma mater, Westfield (Massachusetts) State University, invited alumni to join a gallery show in their new administration building. The show's theme was "The Garden". I was due to visit my hometown area, so I submitted this acrylic painting called "Sage". It is a 16 x 20-inch canvas. I love this because I decided to create the illusion of a basket weave on the whole design. I was pleased with how this added visual interest.

I knew that we could sell our work at this event. Hmm. What to price this? I had no idea. I priced it at $75. When I arrived at the gallery, my painting was on the wall. It was among the smaller works displayed. And it was among the smallest price tags by a lot! Most were $300 or more. "SAGE" sold, however! Was it the most affordable? Probably. Would it have sold if the price was $175? Probably.

More recently, the Facebook page of a local coffee shop was inviting artists to bring in their works ready to hang. They listed how many they would be able to display. This "Queen Bee" watercolor and pen painting, 7 x 5 inches, looked nice in a simple black frame. It was among three others that I displayed, and I priced them all at $50. The coffee shop got a call from someone asking if I would accept $40 for the bee. I told the owner no. The lady returned to the shop and purchased it for $50.

This next painting was for my niece. She has two Bichon Frise dogs, both rescues. One is a tripawd, and gets around pretty well. She had a picture of the two dogs on her back porch with a stuffed "friend" between them. I gave her the original for a Christmas gift. She loved it. Priceless!

Our church was having a dinner / social event with a silent auction to raise money for a worthy cause.

This watercolor Virgin Mary is 5 x 7 inches, matted with a gold frame. The final auction-winning bid was $50, a disappointment in my mind.

I have talked about this in an earlier post:

Dick and Rick Hoyt This duo is the father/son team that has changed the running events world. Dick and Rick ran their first event in 1977. After they were done, Rick told his dad, "When I'm running, I feel like I'm not handicapped."

Rick was a student in one of the schools where I was the art teacher. He was an amazing young 9-year-old. Little did I know how he and his dad would change the world.

After I reunited with them in Rick's apartment many years later, my husband took a picture, and I drew father/son in charcoal pencil. It was a gift to them from me and hung on Rick's wall with so MANY other photos and mementos they have as a world-famous running team for athletically challenged bodies. Dick Hoyt died on March 17, 2021.

I sell my artwork at Heather Boutique in downtown Fredericksburg, Virginia. (see my story on Heather Boutique) The image on the right is an original pen & ink that I brought for this Trunk Show, an event where the artisans Heather has featured in her shop can show their wares. I brought my greeting cards and seven original works, framed and ready for sale. This piece called "Floraison" (french for flowering) was purchased shortly after the shop door opened for the day. Wow. Was I excited? Yes, indeed. The work is 18 x 18 inches framed. I had worked out a rolling scale for the time, materials, and size. Articles about how to price your works are out there to read, but this one helped me take the emotion out of it: Do's and Don'ts of Pricing Your Artwork. I still use this "formula," the shop owner is pleased because it keeps my work consistent throughout the store where it is displayed. "Floraison" sold for $150. I sold four original works at this event. My prices at the shop are reasonable and take into account my time, materials, and skill.

The photographs below show my new style change to pen & ink with light color done with crayons or colored pencils. A blog post discusses this change of pace and style.

The first thumbnail is a commission by a family member. It is her son's home in northern Virginia that she wanted to give them as a Christmas gift. The size kept increasing as she ordered the purchase. It was one of my larger works (14 x 11-inch image, matted and framed to 20 x 16 inches. The total price, including the frame, was $230.00

The other is a neighbor's home. The couple is a good friend, and they are our age. The husband and wife have purchased other artworks of mine, and they continue to compliment me and ask how my painting is going. The pandemic has been hard on them as they have been unable to see their son. We have enjoyed eating with them during the year, but that has not happened during 2020. We are going to surprise them with the artwork of their home. It will be fun to see their faces as they are not even aware that I have done this. Price: A joyful surprise.

This is "Meatball." My daughter took care of this dog when the owners were away. I painted this watercolor of him shortly before he died. He was a sweet dog, and I loved giving this to his family.

I painted this for a friend who lost a dog earlier this year, and recently got this dog, "Lassie". Her Facebook posted pictures of some flowers from her spring garden. I commented that I wanted to paint the flowers. Her friends (who know me) said, Yes, Do it! So, I did.

It's a gift, too.

If I reread this post, I guess I do "gift" more than not. My reward comes with the smiles and thank-you's, and that's why I paint.

The story is that I do love doing commissions. When the client is pleased, so am I. Everyone deserves to have an original piece in their home, commissioned or gifted. I put my heart and soul into the process and years of learning. I want the owner to love it.

Pin it, Please.

Meet the Artist - Anne Corr

Annie Mason
4 min read

Meet the Artist. The place where I introduce YOU to an artist through a "virtual" interview via a set of questions. Let's begin.

Anne Corr

Nottingham, England

Some of the links in this post are affiliate links. This means that if you click on the link and purchase the item, I will receive an affiliate commission at no extra cost to you.

Who are you, and what is your background?

Hi there! My name is Anne Corr - I live in Nottingham, England which is about as far from the sea as you can get in the U.K.! Unfortunately, as I love the sea. I have a husband and grown-up children, and an adorable rescue dog - if a bit needy. I enjoy living at home because for fifteen years we lived a two-county existence which demanded a lot of travel.

What is your favorite medium?

That is tricky - I move in and out but currently, I enjoy working from the pc and designing surface pattern design. I use Photoshop a lot and work with both photographs and images from past masters.

I have a strange condition called aphantasia which means I have no means of visualizing -- so my memory is non-visual too. I cannot recall people's faces (even my son's!) or places that I have been. I rely on what I see around me to create. (It can be difficult for others

to get used to. I live very much in the present as I don't recall a great deal). I used to paint much more than I do now. I may get back to that, but when I worked away from home I became interested in using images digitally for ease of workflow, as much as anything.

Has your practice changed over time?

I change constantly. I have a great love of literature and words, so those infiltrate what I do (see my blog to believe me!), I create handmade books that reflect my curiosity in literature, the arts, and nature. I love the physicality of making my handmade books, playing with creating new covers, new end pages, new wraps -- my handmade work is not particularly lucrative as is very time-consuming -- but the rewards are fantastic --it grounds me and creates reflective, thinking-time.

What do you most enjoy painting?

I love the natural world, particularly botanical illustration. I love going back to art history

and reworking it for more contemporary decoration. I also enjoy painting from my own

photography. This is a direction that I am attracted to at the moment. I created some digital paintings from a holiday in Cornwall that I enjoyed, and I spend a lot of time in Scotland because of the landscape there. [see fineartamerica.com ]

Art Print at Society6 — The fragility of living - a botanical illustration (click the image above to Society6)

What jobs have you done other than being an artist?

I started my working life very early, at 14 (spare time) in a sweet shop! I spent time in retail jewellery, then a management training course at M&S -- it wasn't for me. I worked in a printed packaging company for about 13 years before I had children. It connected me to a love of graphics.

What food, drink, or song inspires you?

Wine, wine, and more wine!! I will interrupt it with a cheese break now and again - whilst listening to the Waterboys or Van Morrison! The Waterboys are my go-to when I am working at the p.c.

What has been your favorite response to your work?

greeting card from modestly etsu — Country Garden II

Being told I am a 'Renaissance woman'!!!

I am often really moved when I read messages from my customers, particularly from [modestly] Etsy. My books get wonderful responses, and it makes my world very much more connected when someone tells me that my work has had particular meaning for them. It is the fuel to my creating more.

watercolor design flowers spring bath shower curtain — Circle of life - floral Shower Curtain from Society6

comforter from society6 — Floral arrangement comforter from Society6

Professionally, what is your goal?

To improve. I constantly want to create better, both in my hand-crafted books and in my surface pattern designs. I look to new outlets, and wonderfully have started to sell limited edition prints locally, as well as moving into fabric design at Spoonflower - Designs by anipani

What's your best piece of advice for someone who wants to get started as an artist?

Play...try anything that sparks an interest in you, and practice a lot! There will be frustration involved in making anything, but the process itself brings rewards. It is a wonderful way of living a meaningful life. Failure is part of the process - and only helps you learn more.

Thank you, Anne. Your artwork is just wonderful. I am sure that you will have many new visitors to your sites.

For more of Anne's work here are her links:

Etsy: modestly Handmade books, prints, and cards

Society6: Designs on prints and products

Blog: Books, art, and life

Pinterest: Gallery of her pins

Displate: collections

As an Amazon Associate, I earn from qualifying purchases. Clicking any link

below and purchasing this product will be an Amazon commission

for me but will have no cost to you.

If interested in "Aphantasia" here are some books/audio that pertains to this condition: