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This series will introduce artists associated with certain states. This is my home state of Massachusetts.


No doubt about it. The eighteenth-century artist followed the pursuits of their English counterparts: paint the rich, the nobleman, England's penchant for showing the client in extravagant surroundings, wearing silk and the finest fur. No longer the preserve of royalty, commissioned portraits — of oneself or one’s ancestors — became a coveted symbol of wealth and status.


Gilbert Stuart

December 3, 1755 - July 9, 1828


The artist's dream in this new world was to make that commission an absolute. How on earth did Gilbert Stuart land the task of painting George Washington?




Still, who is the nobler here? Stuart wanted to paint Washington, for he expected that he could make a "fortune" on images of the Revolutionary War hero and American leader. At the time the president sat for Stuart, the artist tried to relax his sitter, offering, "Now, sir, you must let me forget that you are General Washington and that I am Stuart, the painter," to which the president responded, “Mr. Stuart need never feel the need for forgetting who he is and who General Washington is.”


Stuart produced portraits of over 1,000 people, including the first six Presidents.[4] His work can be found today at art museums throughout the United States and the United Kingdom, most notably the Metropolitan Museum of Art and Frick Collection in New York City, the National Gallery of Art in Washington, D.C., the National Portrait Gallery, London, Worcester Art Museum in Massachusetts, and the Museum of Fine Arts, Boston.[5]


Washington must have been pleased because, after this initial portrait of Washington, Stuart made more than one hundred copies for American and European patrons eager to own an image of the illustrious sitter.










Norman Rockwell

1894 - 1978



photo by Mary Harrsch on Flickr

Norman Rockwell is designated "Massachusetts State Artist" (I did not know there was such a thing).


Here lies a conundrum. Was he a "real" artist? Or (just) an illustrator?

Aside: This is the world that I live in. My work is very illustrative. So, am I not a real artist? Where does that rank start? In art school?


I found this definition: "The biggest difference between illustrator and artist is the purpose of the work. Illustrators create images to help promote a function or a product. Artists create art to express emotions. In other words, an illustration is a visual explanation of the text, [which] almost always comes with context."

Me, Annie Mason, an artist, says This ⬆️ is hogwash!


Norman Rockwell was an illustrator and a great artist. If you want to dig deeper into this conundrum, a good place to start: Michaelangelo: Painter or Illustrator. (The title itself gives you a clue, doesn't it?) Norman Rockwell is cited in the article, and the author makes a great point: "If his famous Saturday Evening Post cover of the Thanksgiving dinner, entitled Freedom from Want, hung in a posh New York City art gallery, then it would have been considered fine art. But collectors snubbed Rockwell as a sentimental illustrator. The Author, Rachael McCampbell, continues: "Yet ironically, Rockwell’s Saying Grace (1951) sold at Sotheby’s in 2013 for $46 million. Does that sort of price tag elevate Rockwell to the fine art status?" Exactly!!



Norman Rockwell. bio information from Wikipedia.

Yet. Here we go. There are probably a lot of readers here who can point out a Norman Rockwell painting.


Rockwell was born in New York City in 1894. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art).


Rockwell found success early. He painted his first commission of four Christmas cards before his sixteenth birthday. While still in his teens, he was hired as art director of Boys’ Life, the official publication of the Boy Scouts of America, and began a successful freelance career illustrating a variety of young people’s publications.


22-year-old Rockwell painted his first cover for The Saturday Evening Post, the magazine Rockwell considered the “greatest show window in America.” Over the next 47 years, another 321 Rockwell covers would appear on the cover of the Post.




In 1943, inspired by President Franklin Roosevelt’s address to Congress, Rockwell painted the Four Freedoms paintings. They were reproduced in four consecutive issues of The Saturday Evening Post with essays by contemporary writers. Rockwell’s interpretations of freedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear proved enormously popular. The works toured the United States in an exhibition jointly sponsored by the Post and the U.S. Treasury Department and, through the sale of war bonds, raised more than $130 million for the war effort.


In 1953, the Rockwell family moved from Arlington, Vermont, to Stockbridge,

Massachusetts. Six years later, Mary Barstow Rockwell died unexpectedly. In collaboration with his son Thomas, Rockwell published his autobiography, My Adventures as an Illustrator, in 1960. The Saturday Evening Post carried excerpts from the best-selling book in eight consecutive issues, with Rockwell’s Triple Self-Portrait on the first cover.


I grew up in Western Massachusetts, and the Norman Rockwell Museum is in Sturbridge. If you are traveling in this area, this museum is a delight. Rockwell’s large-scale original paintings are displayed, and you will discover the highly relatable world of American Illustration – the art that tells our stories. There’s always something new to enjoy, with ten galleries of ever-changing special exhibitions, engaging programs, and a magnificent scenic 36-acre campus.




James Abbot McNeill Whistler

1834 - 1903



Whistler's Mother

Who doesn't know this lady? Why it's Whistler's Mother (the colloquial name), actually titled Arrangement in Grey and Black No. 1, painted in 1871. The subject is the artist's mother, Anna McNeill Whistler. The work was shown at the 104th Exhibition of the Royal Academy of Art in London (1872) after coming within a hair's breadth of rejection by the Academy.


Often parodied, the painting has been featured or mentioned in numerous works of fiction and within pop culture. These include films such as Sing and Like It (1934), The Fortune Cookie (1966), The Rocky Horror Picture Show (1975), Babette's Feast (1986),[13]Bean (1997), I Am Legend (2007), and Cloudy with a Chance of Meatballs 2 (2013).




Theodor Seuss Geisel - "Dr Seuss"

1904 - 1991


American children's author, political cartoonist, illustrator, poet, and filmmaker. He wrote and illustrated more than 60 books under the pen name Dr. Seuss. In 1927, he left Oxford College to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications.








Geisel's art translated into many other media: Film, stage, and television specials.





Lisa M. Greenfield

Sculptor



Starry Night with Daniel J. van Ackere

Lisa M. Greenfield is a Boston artist who creates public art sculptures and installations, as well as paintings, graphic design, and urban planning. Created in conjunction with Daniel J. van Ackere, her most famous work, Starry Nights, is an installation under a bridge in Fort Point; thousands of LED bulbs light up the underpass. Though the project was only supposed to be up for eight weeks, residents enjoyed it so much that it will be permanent for the next ten years (from 2014 to 2024).


If you couldn’t find any twinkling blue LED lights at Target at Christmas time in 2009, that was because artists Lisa Greenfield and Daniel J. van Ackere, armed with a budget of $1000 from the Fort Point Arts Community (FPAC), bought out the entire stock from about a dozen stores in the Greater Boston area.


The installation is best viewed from A Street at Summer Street (between Congress Street and Melcher Street) in the Fort Point Channel neighborhood of South Boston.



Books about artists in this post




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  • Writer: Annie Mason
    Annie Mason
  • 4 min read

This series will introduce artists associated with certain states. This is Maine.






Robert Feke

c. 1705 - c. 1752


Brigadier General Samuel Waldo"by Robert Feke c .1748

An artist not born in Maine, but painted many landowners in Maine including the wealthy Waldo family, who made fifteen trips abroad to bring settlers to the Penobscot region.


Like others among his peers, Feke lived in Boston, but as with other painters, he was sought out by the wealthy landowners in New England, who would have their portraits done to show their wealth and prosperity for all to see.







Born in Oyster Bay, Long Island, these artists honed their skills with the ability

to render gold embellishments and silk or fur textures of clothing that gave the viewer a sense of noble stature that was relished and expected.




"Mrs. Samuel Waldo" oil. by John Singleton Copley






John Singleton Copley









Active in both colonial America and England, Copley became well-established as a portrait painter of the wealthy in colonial New England; Copley was the greatest and most influential painter in colonial America, producing about 350 works of art.







Mrs. Waldo lived in Maine but would have had to travel to Boston to see her father, the wealthy shipowner and merchant John Erving, and her older sister, Mrs. James Bowdoin II (wife of the 2nd Governor of Massachusetts). Copley was at the height of his career in New England and built a reputation in Maine and Boston, Massachusetts.





The next artist is more well-known and a painting that my readers will probably be familiar with.




Andrew Wyeth

1917 - 2009


Christina's World 1948

In the stark landscape of coastal Maine, Christina’s World depicts a young woman seen from behind, wearing a pink dress and lying in a grassy field. Although she appears to be in a position of repose, her torso, propped on her arms, is strangely alert; her silhouette is tense, almost frozen, giving the impression that she is fixed on the ground. She stares at a distant farmhouse and a group of outbuildings, ancient and grayed in harmony with the dry grass and overcast sky.


Wyeth’s neighbor Anna Christina Olson inspired the composition, one of four paint­ings by Wyeth in which she appears. As a young girl, Olson developed a degenerative muscle condition—possibly polio—that left her unable to walk. She refused to use a wheelchair, preferring to crawl, as depicted here, using her arms to drag her lower body along. “The challenge to me,” Wyeth explained, “was to do justice to her extraordinary conquest of a life which most people would consider hopeless.”


As an art student, Wyeth was both praised and lambasted and this painting followed that criteria, as in this article For Wyeth, Both Praise and Doubt. My professors coughed when they had to refer to him, mocked him as an "illustrator" like Norman Rockwell, and pilloried Christina's World as a 'dorm room poster.' Wyeth had homes both in Chadds Forth, PA, and Maine. I was very familiar with his Maine subjects as I spent my summers with relatives who lived in the state.

Master Bedroom. watercolor 1965

Andrew Wyeth was the son of noted illustrator N. C. Wyeth. Andrew was called both a radical and old-fashioned.

He worked in an era that brought forth abstractionists like Jackson Pollock. Wyeth's work shown here certainly has a minimalist look, and it evokes a stark and lonely setting that is now recognized as an underlining theme of the younger Wyeth's work.







Winslow Homer

1836 - 1910



Winslow Homer - The Fog Warning 1885 MFA Boston

It sure looks like Maine. Homer was influenced by an 1884 trip to the Grand Banks fishing grounds, "The Fog Warning" is one of a series in which the artist depicted the difficult lives of New England sailors and their families.


At fifty, Homer had become a "Yankee Robinson Crusoe, cloistered on his art island" and "a hermit with a brush." These paintings established Homer, as the New York Evening Post wrote, "in a place by himself as the most original and one of the strongest of American painters.


Again, I summered in Maine during much of my young adulthood. These artists and others were part of my desire to learn about Maine artists, visit art museums in the area, and go on to study as an art student in Massachusetts and at Haystack Mountain School of Crafts. I was an apprentice in weaving crafts and jewelry making for several summers. Since these early days, the school has established partnerships with the likes of MIT whose programs seek to combine artists and scientists to take over the campus and explore the integration of emerging technologies and processes for the crafts.





Living Maine Artists


Rachael O'Shaughnessy



"Scarborough Drift" oil on canvas 6" x 4"

Perhaps best known for witnessing thousands of consecutive sunrises over the ocean and the resulting atmospheric drawings and paintings, Rachael O’Shaughnessy is passionate about ocean storms as they meet art. Rachael's recent luminist works echo the sublime works by J.M. W. Turner in her passion for color and light as they meet the Maine and New England coastline.









C. R. Bryant


"Maelstrom" by C.R. Bryant oil on panel. 12" x 16"

For over 65 years, C.R. (Bob) Bryant has followed a lifelong journey to perfect his portrait painter and maritime artist ability. Known for his ability to paint water, Bryant also has a working knowledge of sailing ships, and today, he is recognized as a leading international marine artist.


He is a core artist at the Maritime Gallery at Mystic Seaport and a co-founder and senior fellow at the Pacific Rim Institute of Marine Artists.


















Lastly, I give the nod to one of my professors in the Art Department at my alma mater, Westfield State Unversity:


Frederick Lynch

1935 - 2016


Having lost touch with Fred Lynch I was sad to see that he had passed in 2016. In my "freshman" year, it was Art History I, which he taught. I couldn't get enough of reading and analyzing the art from Caveman to Pollock. Professor Lynch played a role in my decision to go into teaching. He strongly impacted my future in later years when I chose to continue my education. I enrolled in the Art History program at the University of Massachusetts at Amherst, completing my Master's in that major.


He was one of the few professors who balanced his teaching responsibilities with being a "working" artist. He frequently had exhibitions on campus and encouraged his students to do the same. The art department was active on campus, and I am proud to have the foundation for my teaching career and my background in museum study and curatorship.


Here are a few samples of the works by Fred Lynch:


"Almost Three Persons" by Fred Lynch
"Cache" by FWred Lynch. Mixed Media


Books:





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Meet the Artist. The place where I introduce YOU to an artist through a virtual interview. Our featured artist is Belette Le Pink. *Note The images in this post link to Belette's product shops.





Belette Le Pink

Madrid, Spain



  • Who are you, and what is your background?

Hi, this is Leticia, the person behind Belette Le Pink. Based in Madrid, Spain, I´m 43.

I come from a humble family with no relation to the arts or cultural aspirations, but from them, I learned to face life´s adversities through hard work and I don´t give up.


I studied Art and Illustration in Art School, but I am mostly a self-taught artist inspired by wildlife and daily life.



I started doodling when I was 4, just before I started writing. I used to copy cartoons I watched on TV (Hanna Barbera, Anime, Disney…) because I will always be fascinated by animation.


Because I grew up in a small city, my contact with nature was truly wildlife documentaries and the small parks and forests on the edge of town. For some reason, I have always felt connected with animals since my childhood, and I enjoyed illustrating hunting scenes of eagles, wolves, and lions… and reading Jack London´s novels. I wrote some books I illustrated by myself about doggy adventures and this kind. I was a lucky girl living in the wonderful '80s, a really creative and positive era.


My dream was to be a wildlife filmmaker and visit faraway places with my camera and sketchbook, or a Disney animator, creating wonderful characters more than a famous “artist”.

It is because of this I planned to study Biology until my 14th birthday when a neighbor of mine, who had been a painter in her youth, gave me an oil painting set and I started to paint more seriously.



I was inspired by the art of the Dutch artist Rien Poorvliet, famous for his illustrated books on wildlife and the Gnomes. I also liked classics Dutch like Vermeer (I love the wet on wet oil painting) Goya, Renoir, Pre-Raphaelites, Klimt, and avant-garde artists like Franz Marc,

Chagall, and whatever artist or illustrator, good or bad has a personal identity.


I started my illustration studies preparing to become a cartoonist or animator, and in the 90s, many animation studios were available in Spain. Still, due to personal circumstances, I needed a regular job, and I had to pause my artistic career for many years, leaving the art apart for free time and occasional commissions.

Meanwhile, I participated in many Local and National Exhibitions, Shows, interviews, and contests.

I have never been a portraits-or-painting artist only because I love to catch the movement, and maybe it is because of this that my sketches are always unfinished, leaving the imagination close to the lines. I identify more with audiovisual media. I have also studied music for many years, and music broadened my understanding of life, feelings, and the arts.

In 2010 I resumed my artistic studies learning Graphic Design, Advertising, and audiovisuals (examples).

And it was in 2017 when I decided to leave my regular job to try an artist career again, and this is how Belette was born.


  • What is your favorite medium?

Although I now use mainly digital painting, my favorite mediums are wet-on-wet oil painting and crayons, collage, and mixed media. I love the fresh watercolor style, ink sketches, and all the techniques with the expontaneous look.

I intend to introduce the traditional art concept and effects into my digital art to make it warmer and more organic.



Otters of the World pattern in grey Framed Mini Art Print




  • Has your practice changed over time?

This question is related to what we have talked about previously. I started drawing with what I had available: crayons, markers, gouaches, pens, and colored pencils when I was a child, and with watercolors, inks, and oils as a teenager.

In the early 2000s, I discovered the art of Annette Messager and her installations, and I was fascinated by exhibition art and the tridimensional possibilities. I realized that two dimensions were not enough for me. In addition, I discovered digital art possibilities and learned to use motion graphic tools and animation. I don´t believe the different types of art compete; they are complementary, and each medium has a kind of magic, utility, and expression. It's experimenting with them; our creativity does the rest.


  • What do you most enjoy painting?

Well, this is obvious (laughs) animals and wildlife.









  • What is the strongest memory of your childhood?

I have many childhood memories, but they all seem so far away, as if they weren't mine. Nothing in particular, but maybe one of them was my tonsil operation when I was 3-4 years old. I remember everything went dark, and then I was eating ice cream.



Visit RedBubble and check this as a sticker!


  • What jobs have you done other than being an artist?

Like many of us, I have had many jobs not related to art. I have been a shopping assistant in a printer shop, a food store, and a store restocker. I also worked as a manufacturer in factories and warehouses. I was mostly a telephone assistant in a call center in many areas like the help desk or searching for people with debts. I learned so much about people and met many different people from different nationalities there. I made many friends, no matter the kind of job, many of whom have had similar situations in life or worse. No matter what you studied or what you wanted to be, we all are in the same boat.


  • What has been your favorite response to your work?

I am most pleased when someone tells me that they feel motivated to create art, and my art, my animals, or my words inspire them.



DESIGNBYHÜMANS Steal Your Heart Mon Amour


  • Professionally, what is your goal? What´s your best advice for someone wanting to start as an artist?

I would like my illustration art to somehow impact people's consciousness and spread the love for animals, wildlife, nature, and the environment. Humans are part of nature, too, even when it seems we refuse to accept that we are just one more species on this planet. I am so happy when somebody writes a comment about how they enjoy discovering new animals and being able to contribute in some way to reflect on respect for nature, the environment, and humanity itself through my small actions. Small steps matter; baby steps are the beginning of big changes. I know it's a very hackneyed saying, but it works: I am a small artist now and willing to walk the needed. This is my recommendation for those who want to be an artist or whatever they want: success is never guaranteed, but I believe it is better to accept the frustration of not being a big artist or having too high expectations than to regret not having even tried. Just do it; only time will tell.



Click for a link an acrylic tray | Society6



Paradise before the fire (SGHN) Sticker | Society6






























The Hunter - poster on Displate



Thank you so much, Belette!


Readers, you can find Belette at lots of shops, and you can check them from this site:


Be sure to check the Print-on-Demand sites for many products with Belette's wonderful designs: Society6 or Redbubble or Zazzle (select your language).


Social Media:




While you're shopping, why not buy Belette a cup of coffee? Click the icon here: ⬇️















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