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  • Writer: Annie Mason
    Annie Mason
  • 2 min read

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A New Year, a new look. Whether it's a whole new makeover or adding a vase to a tabletop, I love giving a room that extra touch, Some "pizzazz" (an attractive combination of vitality and glamour).


We have recently moved and it is so much fun to take an object and find a new spot for it. The links below will help you do just that.


* As an Amazon Associate, I earn a small commission from the links below, at no extra cost to the buyer. I have listed products that are stylish and would perk up any room. Thank you for your purchase as the commissions help with website maintenance.


For the living area:

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For the Bath


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For the Bedroom

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For the Nursery


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For the Rec Room


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For the Garage / Exercise Room


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Thank you for visiting!



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This series will introduce artists associated with certain states. This is my home state of Massachusetts.


No doubt about it. The eighteenth-century artist followed the pursuits of their English counterparts: paint the rich, the nobleman, England's penchant for showing the client in extravagant surroundings, wearing silk and the finest fur. No longer the preserve of royalty, commissioned portraits — of oneself or one’s ancestors — became a coveted symbol of wealth and status.


Gilbert Stuart

December 3, 1755 - July 9, 1828


The artist's dream in this new world was to make that commission an absolute. How on earth did Gilbert Stuart land the task of painting George Washington?



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Still, who is the nobler here? Stuart wanted to paint Washington, for he expected that he could make a "fortune" on images of the Revolutionary War hero and American leader. At the time the president sat for Stuart, the artist tried to relax his sitter, offering, "Now, sir, you must let me forget that you are General Washington and that I am Stuart, the painter," to which the president responded, “Mr. Stuart need never feel the need for forgetting who he is and who General Washington is.”


Stuart produced portraits of over 1,000 people, including the first six Presidents.[4] His work can be found today at art museums throughout the United States and the United Kingdom, most notably the Metropolitan Museum of Art and Frick Collection in New York City, the National Gallery of Art in Washington, D.C., the National Portrait Gallery, London, Worcester Art Museum in Massachusetts, and the Museum of Fine Arts, Boston.[5]


Washington must have been pleased because, after this initial portrait of Washington, Stuart made more than one hundred copies for American and European patrons eager to own an image of the illustrious sitter.










Norman Rockwell

1894 - 1978



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photo by Mary Harrsch on Flickr

Norman Rockwell is designated "Massachusetts State Artist" (I did not know there was such a thing).


Here lies a conundrum. Was he a "real" artist? Or (just) an illustrator?

Aside: This is the world that I live in. My work is very illustrative. So, am I not a real artist? Where does that rank start? In art school?


I found this definition: "The biggest difference between illustrator and artist is the purpose of the work. Illustrators create images to help promote a function or a product. Artists create art to express emotions. In other words, an illustration is a visual explanation of the text, [which] almost always comes with context."

Me, Annie Mason, an artist, says This ⬆️ is hogwash!


Norman Rockwell was an illustrator and a great artist. If you want to dig deeper into this conundrum, a good place to start: Michaelangelo: Painter or Illustrator. (The title itself gives you a clue, doesn't it?) Norman Rockwell is cited in the article, and the author makes a great point: "If his famous Saturday Evening Post cover of the Thanksgiving dinner, entitled Freedom from Want, hung in a posh New York City art gallery, then it would have been considered fine art. But collectors snubbed Rockwell as a sentimental illustrator. The Author, Rachael McCampbell, continues: "Yet ironically, Rockwell’s Saying Grace (1951) sold at Sotheby’s in 2013 for $46 million. Does that sort of price tag elevate Rockwell to the fine art status?" Exactly!!



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Norman Rockwell. bio information from Wikipedia.

Yet. Here we go. There are probably a lot of readers here who can point out a Norman Rockwell painting.


Rockwell was born in New York City in 1894. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art).


Rockwell found success early. He painted his first commission of four Christmas cards before his sixteenth birthday. While still in his teens, he was hired as art director of Boys’ Life, the official publication of the Boy Scouts of America, and began a successful freelance career illustrating a variety of young people’s publications.


22-year-old Rockwell painted his first cover for The Saturday Evening Post, the magazine Rockwell considered the “greatest show window in America.” Over the next 47 years, another 321 Rockwell covers would appear on the cover of the Post.



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In 1943, inspired by President Franklin Roosevelt’s address to Congress, Rockwell painted the Four Freedoms paintings. They were reproduced in four consecutive issues of The Saturday Evening Post with essays by contemporary writers. Rockwell’s interpretations of freedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear proved enormously popular. The works toured the United States in an exhibition jointly sponsored by the Post and the U.S. Treasury Department and, through the sale of war bonds, raised more than $130 million for the war effort.


In 1953, the Rockwell family moved from Arlington, Vermont, to Stockbridge,

Massachusetts. Six years later, Mary Barstow Rockwell died unexpectedly. In collaboration with his son Thomas, Rockwell published his autobiography, My Adventures as an Illustrator, in 1960. The Saturday Evening Post carried excerpts from the best-selling book in eight consecutive issues, with Rockwell’s Triple Self-Portrait on the first cover.


I grew up in Western Massachusetts, and the Norman Rockwell Museum is in Sturbridge. If you are traveling in this area, this museum is a delight. Rockwell’s large-scale original paintings are displayed, and you will discover the highly relatable world of American Illustration – the art that tells our stories. There’s always something new to enjoy, with ten galleries of ever-changing special exhibitions, engaging programs, and a magnificent scenic 36-acre campus.




James Abbot McNeill Whistler

1834 - 1903



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Whistler's Mother

Who doesn't know this lady? Why it's Whistler's Mother (the colloquial name), actually titled Arrangement in Grey and Black No. 1, painted in 1871. The subject is the artist's mother, Anna McNeill Whistler. The work was shown at the 104th Exhibition of the Royal Academy of Art in London (1872) after coming within a hair's breadth of rejection by the Academy.


Often parodied, the painting has been featured or mentioned in numerous works of fiction and within pop culture. These include films such as Sing and Like It (1934), The Fortune Cookie (1966), The Rocky Horror Picture Show (1975), Babette's Feast (1986),[13]Bean (1997), I Am Legend (2007), and Cloudy with a Chance of Meatballs 2 (2013).




Theodor Seuss Geisel - "Dr Seuss"

1904 - 1991


American children's author, political cartoonist, illustrator, poet, and filmmaker. He wrote and illustrated more than 60 books under the pen name Dr. Seuss. In 1927, he left Oxford College to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications.








Geisel's art translated into many other media: Film, stage, and television specials.





Lisa M. Greenfield

Sculptor



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Starry Night with Daniel J. van Ackere

Lisa M. Greenfield is a Boston artist who creates public art sculptures and installations, as well as paintings, graphic design, and urban planning. Created in conjunction with Daniel J. van Ackere, her most famous work, Starry Nights, is an installation under a bridge in Fort Point; thousands of LED bulbs light up the underpass. Though the project was only supposed to be up for eight weeks, residents enjoyed it so much that it will be permanent for the next ten years (from 2014 to 2024).


If you couldn’t find any twinkling blue LED lights at Target at Christmas time in 2009, that was because artists Lisa Greenfield and Daniel J. van Ackere, armed with a budget of $1000 from the Fort Point Arts Community (FPAC), bought out the entire stock from about a dozen stores in the Greater Boston area.


The installation is best viewed from A Street at Summer Street (between Congress Street and Melcher Street) in the Fort Point Channel neighborhood of South Boston.



Books about artists in this post




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  • Writer: Annie Mason
    Annie Mason
  • 6 min read

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George Walter Vincent Smith Museum of Art, Springfield, MA

This is a list of the museums where I have worked. All have different perspectives, art types, and periods of art. All of these experiences are vividly part of my study in art history; they have me reflecting on the past and how far back these experiences have linked me to my love of art.


1. George Walter Vincent Smith Museum of Art


This was the museum where I interned as a student in the Department of Art History at the University of Massachusetts (UMASS-Amherst). This art museum holds the eclectic collections of George Walter Vincent Smith (1832-1923) and his wife, Belle Townsley Smith (1845-1928), in an Italian palazzo-style building established in 1896. It's a museum that could speak to us if it could...and maybe it does Haunted Springfield.


One of my fellow graduate colleagues, Janet Gelman, was the Education Curator. We immediately bonded as we shared our affinity for children's art education: she was in the museum setting, and I had an elementary art teacher background. We had long talks over coffee or sandwiches. Inevitably, the children's theme slipped into what Professors had thrown at us. Graduate school is a world unto itself. Long papers, research, sleepless nights, critiques that didn't go so well. Both of us were old enough to take things in stride and move on. The younger students admired our "c'est la vie" attitude regarding our studies.


It is part of "The Quadrangle" in Springfield, Massachusetts.



Among the varied themes of the George Walter Vincent Smith Museum are:

  • Vast holdings include one of the largest collections of Chinese cloisonné outside of Asia.

  • Japanese Arms and Armor

  • Tiffany Stained Glass windows

  • 19th-century Middle Eastern carpets

  • Hasbro Games Art Discovery Center for children's classes

  • American Paintings Salon


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Mr Mrs. George Walter Vincent Smith by Thomas Waterman Wood

What a blessing to have had this experience at a museum near where I was born. This building is a museum's museum: the eighteenth-century ambiance, the long halls and grand paintings upon paintings, and the eyes of antiquity all around = my definition of heaven.





2. The Porter-Phelps-Huntington House Museum


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I worked at this museum while I was a graduate student at UMASS-Amherst. My role was curator and docent, and I loved this job. I lived just down the road in Hadley, Massachusetts, and the director, Susan Lisk, became a close friend when I worked there.


What a history this house has. For a detailed background, consider Forty-Acres: The Story of the Bishop Huntington House


This unique museum has a magnificent history. As a docent, I often toured a small party through the house, and the "one-hour tour" became two.

This well-preserved 18th-century house was continuously occupied by a single family in 1752 until the death of Dr. James Lincoln Huntington, the museum's founder. The house contains many interesting items belonging to the family and preserved for over 300 years. The Porter-Phelps-Huntington papers are now preserved at Amherst College Archives and Special Collections.


My memories of this museum are distinct since so many families occupied the house. There are also references to supernatural events dating back to the Huntington years. You can check some of the tales here: "Ghost" Stories.


I had my encounter. I was doing some curator tasks in the Director's home. Back in the day of electric typewriters, when errors needed to be changed in the text, I found myself putting back a pencil that rolled off the desk. And then, again. And then, again. I started to freak out because I sensed that "someone" was in the room. It was eerie.


Suffice it to say this is a beautiful museum, and if you are ever in the Hadley, MA, area, it's worth planning a tour. TripAdvisor





3. Yale Center for British Art


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the modern Yale Center for British Art across from Yale Art Gallery

How could I have been so lucky to land a position at this beautiful museum? Well, luck and a heads-up from a fellow student in the Art History department. She graduated a semester before I did and had been in the Photograph Cataloguer role at the BAC (British Art Center) but was leaving for another museum. I applied for this position and interviewed with the head of the Yale Photograph Archive department, author Anne-Marie Logan. Soon I was headed to New Haven, CT to work at this prestigious museum.


The internationally acclaimed American architect Louis I. Kahn (1901–1974) designed it to house Paul Mellon's (Yale College, Class of 1929; 1907–1999) extraordinary gift to Yale University. It was the first museum in the United States to incorporate retail shops in its design.



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The hall area between the Photograph Archives and the Prints Collection

The geometrical four-floor interior is designed around two interior courtyards and comprises a restrained palette of natural materials, including travertine marble, white oak, concrete, and Belgian linen. Kahn succeeded in creating intimate galleries where one can view objects in diffused natural light. He wanted to allow in as much daylight as possible, with artificial illumination used only on dark days or in the evening. The building’s design, materials, and skylit rooms combine to provide an environment for the works of art that is simple and dignified.





4. The Pardee-Morris House

Again, one thing leads to another in my life. After I got the job at Yale, I needed a place to live. It turns out that Susan Lisk of the Porter-Phelps-Huntington House (see above) had a sister, Linda, who lived in New Haven, Connecticut, and she spent a whole day with me checking the rentals in the city. I found a lovely place with daily public transportation to downtown. Linda also suggested that I might want to docent at this house museum for a little extra income. Who would have thought it? Two sisters who have been part of my museum adventures.


One of New Haven’s oldest structures, this historic property descended in one family through seven generations.


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This beautiful house, dating to 1680, is a rare example of a stone ender. The ell was added around 1767. On July 5, 1779, during the Revolutionary War, the British raided New Haven and burned the house. Using the surviving stone and timbers, Captain Amos Morris rebuilt the home the following year.






In 1915, William Pardee bought and restored the house,



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In 1918, William S. Pardee, a descendant of the Morris family, bequeathed the property to the New Haven Colony Historical Society, which is today known as the New Haven Museum.


The oldest portions of the house are believed to date to the late 17th century, probably during the lifetime of Thomas Morris, the first colonial grantee of land in this area, or one of his sons. It was partially burned by the British in 1779. It remained with the Morris family until 1915, when it was sold to William Pardee. He briefly occupied the house and willed it to the historical society upon his death a few years later, along with an endowment for its care.


My time here was primarily on weekends. I was the only docent and had to open and close the property during the tourist season. This, too, was a property with a lot of history and a fun building to present to curious visitors. During this period (the late 1980s), the future of this museum was risky and uncertain.


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How happy I am to see that the New Haven Museum bought the structure and now has summer concerts on the lawn. This has brought new life to the museum and joy to the visitors.











5. Kenmore Foundation


I traveled to Virginia to see my sister during my years at Yale. She quietly planned a gathering at her home and invited a few friends, including an invitation to the bachelor who had built a house across the street. Soon after, this man asked me to marry him, and I said, "Yes."


I moved to Virginia in 1989 and have lived there since then. Not wanting to give up on my love of museums, I learned about Kenmore Plantation in Fredericksburg, Virginia.



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My role began at Kenmore as a docent. I loved it! I have an affinity for welcoming visitors and telling the stories of the objects and people who lived there. The other volunteers, most older than I, were helpful and guided my early start. Not many months later, I began to work with the Education Director, Stacia Gregory Norman, and I helped catalog the photographs and papers. In my second year, W. Vernon Edenfield took notice and offered me the position of Education Assistant.


Kenmore is the Fredericksburg home of Revolutionary War patriot Col. Fielding Lewis and his wife, Elizabeth "Betty" Washington, George Washington's only sister. In Kenmore's spacious interior, the plaster designs on the 12-foot-high ceilings combine baroque, neoclassical, and rococo elements. Use arrows to slide:



My days at these museums are long gone, but they are not forgotten. I gained knowledge, insight, and history and have met amazing people. I am grateful for the opportunities that these experiences provided.


For those with the notion that museums are places for the "haunting," here are some books:



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