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This series will introduce artists associated with certain states. This is my home state of Massachusetts.


No doubt about it. The eighteenth-century artist followed the pursuits of their English counterparts: paint the rich, the nobleman, England's penchant for showing the client in extravagant surroundings, wearing silk and the finest fur. No longer the preserve of royalty, commissioned portraits — of oneself or one’s ancestors — became a coveted symbol of wealth and status.


Gilbert Stuart

December 3, 1755 - July 9, 1828


The artist's dream in this new world was to make that commission an absolute. How on earth did Gilbert Stuart land the task of painting George Washington?




Still, who is the nobler here? Stuart wanted to paint Washington, for he expected that he could make a "fortune" on images of the Revolutionary War hero and American leader. At the time the president sat for Stuart, the artist tried to relax his sitter, offering, "Now, sir, you must let me forget that you are General Washington and that I am Stuart, the painter," to which the president responded, “Mr. Stuart need never feel the need for forgetting who he is and who General Washington is.”


Stuart produced portraits of over 1,000 people, including the first six Presidents.[4] His work can be found today at art museums throughout the United States and the United Kingdom, most notably the Metropolitan Museum of Art and Frick Collection in New York City, the National Gallery of Art in Washington, D.C., the National Portrait Gallery, London, Worcester Art Museum in Massachusetts, and the Museum of Fine Arts, Boston.[5]


Washington must have been pleased because, after this initial portrait of Washington, Stuart made more than one hundred copies for American and European patrons eager to own an image of the illustrious sitter.








 


Norman Rockwell

1894 - 1978



photo by Mary Harrsch on Flickr

Norman Rockwell is designated "Massachusetts State Artist" (I did not know there was such a thing).


Here lies a conundrum. Was he a "real" artist? Or (just) an illustrator?

Aside: This is the world that I live in. My work is very illustrative. So, am I not a real artist? Where does that rank start? In art school?


I found this definition: "The biggest difference between illustrator and artist is the purpose of the work. Illustrators create images to help promote a function or a product. Artists create art to express emotions. In other words, an illustration is a visual explanation of the text, [which] almost always comes with context."

Me, Annie Mason, an artist, says This ⬆️ is hogwash!


Norman Rockwell was an illustrator and a great artist. If you want to dig deeper into this conundrum, a good place to start: Michaelangelo: Painter or Illustrator. (The title itself gives you a clue, doesn't it?) Norman Rockwell is cited in the article, and the author makes a great point: "If his famous Saturday Evening Post cover of the Thanksgiving dinner, entitled Freedom from Want, hung in a posh New York City art gallery, then it would have been considered fine art. But collectors snubbed Rockwell as a sentimental illustrator. The Author, Rachael McCampbell, continues: "Yet ironically, Rockwell’s Saying Grace (1951) sold at Sotheby’s in 2013 for $46 million. Does that sort of price tag elevate Rockwell to the fine art status?" Exactly!!



Norman Rockwell. bio information from Wikipedia.

Yet. Here we go. There are probably a lot of readers here who can point out a Norman Rockwell painting.


Rockwell was born in New York City in 1894. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art).


Rockwell found success early. He painted his first commission of four Christmas cards before his sixteenth birthday. While still in his teens, he was hired as art director of Boys’ Life, the official publication of the Boy Scouts of America, and began a successful freelance career illustrating a variety of young people’s publications.


22-year-old Rockwell painted his first cover for The Saturday Evening Post, the magazine Rockwell considered the “greatest show window in America.” Over the next 47 years, another 321 Rockwell covers would appear on the cover of the Post.




In 1943, inspired by President Franklin Roosevelt’s address to Congress, Rockwell painted the Four Freedoms paintings. They were reproduced in four consecutive issues of The Saturday Evening Post with essays by contemporary writers. Rockwell’s interpretations of freedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear proved enormously popular. The works toured the United States in an exhibition jointly sponsored by the Post and the U.S. Treasury Department and, through the sale of war bonds, raised more than $130 million for the war effort.


In 1953, the Rockwell family moved from Arlington, Vermont, to Stockbridge,

Massachusetts. Six years later, Mary Barstow Rockwell died unexpectedly. In collaboration with his son Thomas, Rockwell published his autobiography, My Adventures as an Illustrator, in 1960. The Saturday Evening Post carried excerpts from the best-selling book in eight consecutive issues, with Rockwell’s Triple Self-Portrait on the first cover.


I grew up in Western Massachusetts, and the Norman Rockwell Museum is in Sturbridge. If you are traveling in this area, this museum is a delight. Rockwell’s large-scale original paintings are displayed, and you will discover the highly relatable world of American Illustration – the art that tells our stories. There’s always something new to enjoy, with ten galleries of ever-changing special exhibitions, engaging programs, and a magnificent scenic 36-acre campus.



 

James Abbot McNeill Whistler

1834 - 1903



Whistler's Mother

Who doesn't know this lady? Why it's Whistler's Mother (the colloquial name), actually titled Arrangement in Grey and Black No. 1, painted in 1871. The subject is the artist's mother, Anna McNeill Whistler. The work was shown at the 104th Exhibition of the Royal Academy of Art in London (1872) after coming within a hair's breadth of rejection by the Academy.


Often parodied, the painting has been featured or mentioned in numerous works of fiction and within pop culture. These include films such as Sing and Like It (1934), The Fortune Cookie (1966), The Rocky Horror Picture Show (1975), Babette's Feast (1986),[13]Bean (1997), I Am Legend (2007), and Cloudy with a Chance of Meatballs 2 (2013).



 

Theodor Seuss Geisel - "Dr Seuss"

1904 - 1991


American children's author, political cartoonist, illustrator, poet, and filmmaker. He wrote and illustrated more than 60 books under the pen name Dr. Seuss. In 1927, he left Oxford College to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications.








Geisel's art translated into many other media: Film, stage, and television specials.





 

Lisa M. Greenfield

Sculptor



Starry Night with Daniel J. van Ackere

Lisa M. Greenfield is a Boston artist who creates public art sculptures and installations, as well as paintings, graphic design, and urban planning. Created in conjunction with Daniel J. van Ackere, her most famous work, Starry Nights, is an installation under a bridge in Fort Point; thousands of LED bulbs light up the underpass. Though the project was only supposed to be up for eight weeks, residents enjoyed it so much that it will be permanent for the next ten years (from 2014 to 2024).


If you couldn’t find any twinkling blue LED lights at Target at Christmas time in 2009, that was because artists Lisa Greenfield and Daniel J. van Ackere, armed with a budget of $1000 from the Fort Point Arts Community (FPAC), bought out the entire stock from about a dozen stores in the Greater Boston area.


The installation is best viewed from A Street at Summer Street (between Congress Street and Melcher Street) in the Fort Point Channel neighborhood of South Boston.



Books about artists in this post




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You know me as an artist. You've seen my subjects and my techniques. Between managing my artist blog, working in my home art studio, editing a website (actually two because I admin for a local non-profit's webpages), painting almost daily, producing a line of greeting cards, and marketing, I admit my plate is full. However, now and again, I shift gears and tackle the ubiquitous task of researching the family roots.


I have done this throughout the years. My family traveled to Salt Lake City, Utah, on vacation, and a block of time was scheduled to stop at the famous Family History Library.

This was in the early 1990s, and this was still the best way to get information.


I recall the 3 hours that I sat at a microfiche reader, scrolling through a rather large screen on a massive machine until my eyes glazed over. Yet, I did find smidgens of info on my grandparents' arrivals in the United States.


Years later, here we are. The 2022 research is from my living room with a click of a name; add any other information I might have, and BOOM! up comes something or nothing...and you start again. It's a far cry from taking hand notes. My primary websites are Ancestry.com and familysearch.com. Both offer wonderful search features, certainly more pleasant to use than the tedious methods of the past. I favor Ancestry.com because my subscription gives me many options to dig deeper to find those "roots."









How can I tie my art to my foray into Genealogy? It begins with memorabilia and photographs. Among my mother's items is a passport issued by the War Department, Washington D. C. This is Stella. We called her "Babka" (grandmother).

woman Stella Wozenski Gutowski
Stella Gutowski passport issued by President Warren Harding


Grandma was a "Gold Star Mother." She lost a son in WW1, and in 1933, she and a group of other Gold Star mothers were able to travel by ship to the areas in France to visit the gravesites of their lost ones. Julius Wozenski (my mother's stepbrother) lies in Oise Aisne American Military Cemetery in northern France.


The Pilgrimage was the last of the Gold Star groups to visit the hallowed ground upon which their loved ones were buried. Records show that 81,155 members of the American Expeditionary Forces gave their lives during World War I.


Another relative noted that Julius Wozenski also has a memorial in my hometown of Westfield, Massachusetts. On my next trip back, I will visit the site and pay my homage to his memory.


















A small card with the photo of the original grave cross at the site.




In amazingly good shape are pressed flowers, more than likely taken from the site, lovingly kept in the booklet, and more than likely laminated at a later date.



As an Amazon Associate, I earn a small commission on product links in this post but have no extra cost to you.















My grandmother emigrated to the U.S. in 1913 at the age of 22 with two stepchildren in tow, and then married and added two more children: my mother, Helen on the left (age 3), and her brother, my "uncle Steve." on the right (age 2)


My grandmother's home smelled like laundry because she bleached, washed, and steam-ironed local businessmen's shirts.


She also knew a few words in English, but my mother would mostly have to translate most conversations about her grandkids into her native Polish.




You have met my maternal grandmother, Stella Wozenski, who later married a Gutowski. My paternal grandmother was Wolozemski, who married a Chrzanowski (my maiden name). You get the picture. My AncestorDNA is 69% Czech Republic, Slovakia, Poland & Lithuania, 37% Baltics, and 4% Germanic Europe.




My parents' wedding April 29, 1942



I married a Mason. My husband's family tree is so much easier. His mother's line is Pugh, and a total volume of genealogical publications makes things easier.



Charles Newton Pugh

We have a charcoal drawing of my husband's maternal grandfather, Charles Newton Pugh (1862 - 1936). Does one wonder what prompted this formal portrait? I don't have a date, but it's in relatively good shape, and the mat is almost pristine behind the glass.



l to r: Russell, Charles Newton, Lucy (Martha in her arms), Loring, Francis, and Bessie Pugh

The picture above was taken on the family farm in West Virginia. Russell (far left) was 16 years older than Martha, my husband's mother. Families were bigger and brought up to be hardworking, proper, and resilient.



It's amazing how much I feel connected to my ancestors, or even my husband's ancestors, because of the resemblance or stories passed on to others. Ancestry now has "hints" when their database finds something that will give you a possible match.


These are cleverly in the shape of a leaf. (family trees, get it?)

The hints allow you to click each one and compare existing information or verify those you have input and check the veracity.



Genealogy is time-consuming, and I can't do it for any length without taking a break. There is a lot of checking and re-checking. Have I found the right "Jonathan Martin" Mason?


It is fun but takes patience and perseverance. I love to feel a connection with my ancestors. The Mormons trace their family trees to relatives who can be baptized by proxy in the temple.




It does give me great pleasure to learn a new fact about my mom, grandmother, or great-uncle that I didn't know. Technology has very much improved the process of finding information. Ancestry.com is amazing. Links to the census years, newspapers, high school yearbooks, marriage and death certificates, Social Security, and City Directories are common. The microfiche of years ago is a click to a hint from other users or searches you haven't considered.




  • Ancestry.com is the world's largest online family history resource, with more than 2.7 million paying subscribers. Ancestry users have created over 47 million family trees containing approximately 5 billion profiles. Clicking links in this post may generate an affiliate commission at no extra cost.





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I am not an expert on commissions. Not by a long shot. However, I will attempt to lay out some thoughts and situations that will give artists some criteria I have settled on in the last few years. This might prevent buyer's remorse when asking an artist to paint a portrait of a loved one, dog, or cat. The buyer and the artist can have some agreement on what they each expect from each other: Deposit, how long it will take, expectations, framed (or not), work in progress, and any questions.


Looking back on my "career" as an art teacher, I don't see an artist. Why? Because I was busy with lesson plans, checking materials, working with a classroom teacher who might want the art lesson to piggyback with her animal life cycle curriculum, and balancing the school district's K-6 art curriculum schedule. The only times that I was called on to be an "artist" was when a classroom teacher "solicited" (as in, begged me) to do her bulletin board. {cough}


Now, I am an artist who paints almost every day. I have more than 300 paintings or drawings in my portfolio unless I have sold them or given them as gifts.




As I began to think about this post, I realized that I have sold or given more images than I remember. That's a pleasant feeling because I haven't had a bad experience with doing commission work. Not like the time I volunteered to take photographs for a neighbor's wedding. My photography was quite good. However, I didn't have any sort of agreement or contract, took no deposit, and didn't consider the stress level of taking photos of an event that you can't have a "do-over." This is a recipe for a disaster. A verbal walk-through with the bride/groom instead of the parents of the two would have been beneficial. Long story short, the reception hall had fluorescent lighting, which cast a green tone on everything. The parents were horrified at the photos and refused to pay me anything for them. Lesson learned: put things in writing.


Let me show you some of my commission works and give you a taste of how I feel about them.



My alma mater, Westfield (Massachusetts) State University, invited alumni to join a gallery show in their new administration building. The show's theme was "The Garden". I was due to visit my hometown area, so I submitted this acrylic painting called "Sage". It is a 16 x 20-inch canvas. I love this because I decided to create the illusion of a basket weave on the whole design. I was pleased with how this added visual interest.

I knew that we could sell our work at this event. Hmm. What to price this? I had no idea. I priced it at $75. When I arrived at the gallery, my painting was on the wall. It was among the smaller works displayed. And it was among the smallest price tags by a lot! Most were $300 or more. "SAGE" sold, however! Was it the most affordable? Probably. Would it have sold if the price was $175? Probably.



More recently, the Facebook page of a local coffee shop was inviting artists to bring in their works ready to hang. They listed how many they would be able to display. This "Queen Bee" watercolor and pen painting, 7 x 5 inches, looked nice in a simple black frame. It was among three others that I displayed, and I priced them all at $50. The coffee shop got a call from someone asking if I would accept $40 for the bee. I told the owner no. The lady returned to the shop and purchased it for $50.






This next painting was for my niece. She has two Bichon Frise dogs, both rescues. One is a tripawd, and gets around pretty well. She had a picture of the two dogs on her back porch with a stuffed "friend" between them. I gave her the original for a Christmas gift. She loved it. Priceless!




Our church was having a dinner / social event with a silent auction to raise money for a worthy cause.


This watercolor Virgin Mary is 5 x 7 inches, matted with a gold frame. The final auction-winning bid was $50, a disappointment in my mind.
















I have talked about this in an earlier post:

Dick and Rick Hoyt This duo is the father/son team that has changed the running events world. Dick and Rick ran their first event in 1977. After they were done, Rick told his dad, "When I'm running, I feel like I'm not handicapped."


Rick was a student in one of the schools where I was the art teacher. He was an amazing young 9-year-old. Little did I know how he and his dad would change the world.


After I reunited with them in Rick's apartment many years later, my husband took a picture, and I drew father/son in charcoal pencil. It was a gift to them from me and hung on Rick's wall with so MANY other photos and mementos they have as a world-famous running team for athletically challenged bodies. Dick Hoyt died on March 17, 2021.






I sell my artwork at Heather Boutique in downtown Fredericksburg, Virginia. (see my story on Heather Boutique) The image on the right is an original pen & ink that I brought for this Trunk Show, an event where the artisans Heather has featured in her shop can show their wares. I brought my greeting cards and seven original works, framed and ready for sale. This piece called "Floraison" (french for flowering) was purchased shortly after the shop door opened for the day. Wow. Was I excited? Yes, indeed. The work is 18 x 18 inches framed. I had worked out a rolling scale for the time, materials, and size. Articles about how to price your works are out there to read, but this one helped me take the emotion out of it: Do's and Don'ts of Pricing Your Artwork. I still use this "formula," the shop owner is pleased because it keeps my work consistent throughout the store where it is displayed. "Floraison" sold for $150. I sold four original works at this event. My prices at the shop are reasonable and take into account my time, materials, and skill.



The photographs below show my new style change to pen & ink with light color done with crayons or colored pencils. A blog post discusses this change of pace and style.

The first thumbnail is a commission by a family member. It is her son's home in northern Virginia that she wanted to give them as a Christmas gift. The size kept increasing as she ordered the purchase. It was one of my larger works (14 x 11-inch image, matted and framed to 20 x 16 inches. The total price, including the frame, was $230.00


The other is a neighbor's home. The couple is a good friend, and they are our age. The husband and wife have purchased other artworks of mine, and they continue to compliment me and ask how my painting is going. The pandemic has been hard on them as they have been unable to see their son. We have enjoyed eating with them during the year, but that has not happened during 2020. We are going to surprise them with the artwork of their home. It will be fun to see their faces as they are not even aware that I have done this. Price: A joyful surprise.





This is "Meatball." My daughter took care of this dog when the owners were away. I painted this watercolor of him shortly before he died. He was a sweet dog, and I loved giving this to his family.



Meatball



I painted this for a friend who lost a dog earlier this year, and recently got this dog, "Lassie". Her Facebook posted pictures of some flowers from her spring garden. I commented that I wanted to paint the flowers. Her friends (who know me) said, Yes, Do it! So, I did.


It's a gift, too.


If I reread this post, I guess I do "gift" more than not. My reward comes with the smiles and thank-you's, and that's why I paint.







The story is that I do love doing commissions. When the client is pleased, so am I. Everyone deserves to have an original piece in their home, commissioned or gifted. I put my heart and soul into the process and years of learning. I want the owner to love it.



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